It’s very sharp at almost all f/numbers, even sharper than the much more expensive Zeiss Touit 12mm f/2.8. At this time, the Rokinon 12mm f/2.0 comes in either black or silver from about $299-399.00. A few months ago I showed readers how to pick a lens for milky way photography. The announcement of the 12mm f/2.0 NCS CS lens is also significant in that Rokinon is finally expanding its support for mirrorless cameras. It’s built out of high quality plastics with a metallic lens mount. I had a lot of skepticism that Rokinon would be able to keep the performance acceptable when shooting at f/2.0. Both of these lenses are very good but the Rokinon 12mm f/2.0 NCS CS has three distinct differences: it’s manual focus only, it’s faster by one full stop (f/2.0 vs f/2.8) and it’s about half the price (unless you count the recently announced deal on the Zeiss Touit 12mm f/2.8 and 32mm f/1.8 kit). You have until Feb 01, 2021 to return or exchange items bought after Oct 19, 2020. The Rokinon FE14M-S 14mm F2.8 Ultra Wide Fixed Lens is intended for fullframe cameras, although is compatible for APS-C sensor cameras and should work with it. This means that users should probably ignore the distance marks if they’re worried about critical focus when shooting wide open and instead rely on their camera’s focusing aids like magnified live view or focus peaking. Samyang/Rokinon 12mm F2.0 Sony E/Fuji-X/Canon EF-M/ Bottom Line. While all my experiences with Rokinon lenses in the past (14mm f/2.8 and 24mm f/1.4) have shown spectacular performance wide open, the new 12mm f/2.0 is a rather extreme design. Pros: - large aperture … great fast wide angle lens for low light and astrophotography. I tested these lenses side-by-side while visiting Anza Borrego Desert State Park in California. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. He is deeply passionate about photography, and takes great joy in teaching others what he has learned over the years. Comparing the Sigma 14mm f/1.8 lens with the Rokinon 14mm f/2.4 and f/2.8 lenses, photographer Matthew Saville says that each has its place the astrophotography world. Pros: - large aperture … great fast wide angle lens for low light and astrophotography. Rokinon lenses are generally a bit more prone to long-term build quality issues compared to the name brands. Ian Norman from Petapixel is only one of the many astrophotographers who have raved about this lens' prowess when shooting stars and planets. Below, see how the Nikon 14-24mm f/2.8, Zeiss Milvus 15mm f/2.8, Rokinon SP 14mm f/2.4, and Sigma Art 14mm f/1.8 compare in a field test shooting the Milky Way and night sky. I, along with most other photographers, am probably most interested in the performance of the lens when used wide open at f/2.0 because it’s the only 12mm for APS-C sensors to offer such a fast aperture. The Samyang/Rokinon 12mm F2.0 is one of the first ultra-wide-angle lenses designed for APS-C systems with an aperture of F2.0. It has fulfilled almost all of my photographic needs, from street photography to architecture to landscapes to astrophotography. With a super wide field of view of almost 99° and a fast f/2.0 aperture, it becomes the highest scoring dedicated mirrorless lens on my astrophoto lens rating system to date with a score of 2176. Here’s a test shot wide open: One of the most important traits of the lens for night photography and astrophotography is its comatic aberration performance when used wide open. Enjoy Extended Returns thru Feb 01, 2021! I expect it might be as much as 2 EV stops of light drop at the very corners when wide-open. This review originally appeared here. Given good tracking, I now believe that 60 second exposures would be about optimum provided 20 or more frames will be taken to reduce the dark current noise. Made by an astrophotographer, for the astrophotographers. Rokinon RK12M-M 12mm F2.0 NCS CS Ultra Wide Angle Fixed Lens for Canon EF-M Mount Compact System Cameras (Black) by Rokinon. Introduced in 2014, the Rokinon 12mm f/2.0 lens is special because it is designed specifically for mirrorless cameras. This is the full view of the test shot: Even wide open at f/2.0, the Rokinon 12mm has excellent sharpness. This is presumably for prevention of vignetting when using filters because of the lens’s wide field of view so it’s probably unavoidable by design (The Zeiss Touit 12mm has a very similar taper near the front element). I cannot fault it. Rokinon has been a particularly popular manufacturer for photographers interested in astrophotography because their lenses often outperform many of the more expensive offerings from Canon or Nikon at a much lower price. You can find the same lenses under other brand names too: the original manufacturer is Samyang and their lenses are available under the names Rokinon, Bower, Walimex and a few others. Rokinon has been producing this lens for a very long time, and even though the cost is very low for what it does, it is pretty much the go-to lens for Milky Way astrophotography. There’s a tiny bit of purple fringed coma at the extreme corners, but overall it’s very mild by most standards. Rokinon 14mm f/2.4 3. I presume this is because the Zeiss needs room for the autofocus mechanism. The use of long exposure noise reduction would have removed hot pixels but this would halve the time capturing photons from the sky and also adds noise into the image. Nikon 14-24mm f/2.8 5. In practice though, it’s still a very compact lens, especially for a fast retrofocal design. It’s built out of high quality plastics with a metallic lens mount. There is a fair degree of vignetting (darkening of the corner regions) which remains even when the lens is stopped down. If you have no need for autofocus, the Rokinon 12mm is sharper and a better performer in low light, making it a very attractive tool in your photography kit. If you have used the Rokinon 8mm f/2.8 Fisheye, this lens will feel remarkably similar and that’s a very good thing. The lenses from Rokinon eschew the typical modern norm of autofocus or image stabilization, instead focusing solely on the optical performance. I’m going to include full images, center crops, and corner crops for all five lenses below. You can read the full article on … The real attraction for me is the extra stop that the Rokinon offers. Personally, I don’t mind a little light falloff, it’s pretty typical of fast lenses and I like it for the dramatic effect it creates. With its maximum f/2.0 aperture, it is noted as the fasted 12mm lens for APS-C (crop) sensor cameras. No darks or flats were taken – it is very difficult obtaining an accurate set of dark frames when the camera’s sensor is changing temperature during the set of exposures. It clicks firmly against the lens mount with no noticeable side to side play and only a slight amount of rotation play, no more than any of my other lenses. Unfortunately, the inaccurate distance marks on the focusing ring and no useful depth-of-field markings make manual focusing that much more difficult, particularly when using it wide open. All of the past Rokinon lenses that I’ve used have all shown excellent performance with coma and the Rokinon 12mm f/2.0 NCS CS is no exception. Here is the order in which they will appear below: 1. In a brief moment of self-promotion, he also suggests using Lonely Speck’s SharpStar2 focusing filter to bring the stars perfectly into focus. Here’s an example of the flare spots at f/5.6: As such a short focal length lens, it’s rare that you would think about the quality of the out of focus highlights since the depth of field tends to be rather large, even at f/2.0. The obvious competitor to this lens is the Zeiss Touit 12mm f/2.8. Here are the results: If you have used the Rokinon 8mm f/2.8 Fisheye, this lens will feel remarkably similar and that’s a very good thing. The central part of the image is very sharp even at full aperture with the corners, as expected, somewhat behind. Samyang is the original manufacturer and the lens is also rebranded and sold under several names, including Rokinon. When using the lens with the smaller micro 4/3 sensor, it would be a near perfect lens. For astrophotographers, its excellent coma performance, fast aperture and an ultra-wide field of view make it a prime tool for shooting the stars. For astrophotography use, I have stopped the lens down to f/4 which gives reasonable corner sharpness. Inadvertently, I took a set of images of the Cygnus and Lyra region with the lens stopped down to f/8 − so a rather long combined exposure was required! It feels rather dense for its size, presumably from the 12 element design. Rokinon RK12M-M 12mm F2.0 NCS CS Ultra Wide Angle Fixed Lens for Canon EF-M Mount Compact System Cameras (Black) Check on Amazon Fujifilm X-T20 Mirrorless Digital Camera, Black with Fujinon XF18-55mm F2.8-4 R LM Optical Image Stabiliser Lens Kit ).I use this lens since 2018, and it's my must-have piece of astronomy equipment for my widefield astrophotography … The Rokinon 12mm f/2 feels like a sturdy, nearly indestructible little lens that is ready for a lot of abuse. In length and size it’s roughly the size of the Fujifilm 14mm f/2.8, and notably smaller than the other 12mm lens available for mirrorless cameras: the Zeiss 12mm f/2.8. Each of the 25 frames would contain dark current electrons in their pixel wells as well as those produced by photons captured from the sky. This again can be corrected in post processing if desired. In the conclusion of the guide, there was one particular type of lens that stands out above all the rest: the fast wide angle. Build Quality It’s almost the same size as Fujifilm’s XF 14mm f/2.8 R and actually smaller and lighter than Zeiss Touit 12mm f/2.8 despite being a full stop faster than both. I don’t recommend using either lens at f/22 if you’re concerned about the best sharpness. On one side, chromatic aberration extended the star images with a blue colour as seen in the crop below and elsewhere the stars were somewhat streaky. It comes with a lens hood. [Never use the Unsharp Mask filter to sharpen images, use ‘Smart Sharpen’ instead.]. NatureTTL's Matthew Saville compares three of the most popular ultra-wide astrophotography prime lenses out there: The Samyang/Rokinon 14mm F2.8, the Samyang/Rokinon 14mm F2.4, and the Sigma 14mm F1.8 Art. The focusing ring is separated from the aperture ring with a red anodized aluminum ring. [This would not help reduce the effects of dust mites on the sensor that flat frames taken at the same time would remove so the sensor should be kept clean!]. Using an intervalometer, I took a set of 30 second exposure frames at 800 ISO which were stacked in Deep Sky Stacker. HOME PHOTO > > REVIEWS > > > > > > > ABOUT 2016 Samyang 12 f2 - Well worth the price. Hi Roman, I believe Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens would be the best for your Sony A6000 camera as this lens is tailored for APS-C crop sensor cameras (like the A6000). Usually, something’s gotta give when lens designs are pushed to such extremes. Finally a little sharpening applied with the ‘Smart Sharpen’ filter. Luckily, that doesn’t seem to be the case with the Rokinon 12mm: its performance wide open is exceptional, making it a perfect lens for astrophotography. Adjusting the aperture can affect the overall quality and sharpness of the stars in your astrophotography images, especially near the edges of the frame. The 12mm rokinon is my favorite lens for landscape or nightscape shots with my sony a6000. The compact and lightweight Rokinon 12mm f/2.0 NCS CS prime wide-angle lens for Canon M series APS-C cameras provides a 35mm-equivalent focal length of 19.2mm with a broad 95.7° angle of view. Many wide angle lenses give stars angel-like wings in the corners. Here’s an example shot with some heavy light falloff in the corners from shooting wide-open: In just one month, this lens has been with me to the deserts of California and through several historical cities in Europe. There is some distortion which is easily correctable in post processing if required. This is why I believe taking a larger number of short exposures when using a DSLR or Mirrorless camera is better than taking a few longer exposures. Some manufacturers like Fujifilm and Olympus have completely abandoned the DSLR design for mirrorless cameras and now every major camera manufacturer has offered at least one mirrorless camera design. At just 258g, this thing is pretty lightweight for a superwide f/2.0 lens, but it feels solid and has a metal mount, so it looks robust enough. All other standard return policy conditions apply.. Close You can follow him on his website, Twitter, Google+, Instagram, Vimeo and Flickr. Optically, the Rokinon 12mm f/2.0 NCS CS is very good. The camera was mounted on a Nano Tracker (as described in the article ‘Three Tracking Mounts’) which was approximately aligned on the South Celestial Pole. I’ve experienced this a couple of times.In a past life as a wedding photographer, I owned a macro lens that I bought exclusively for photographing details such as rings. By using the star repair brush described in the article mentioned above, it did not long to repair those suffering from chromatic aberration or streakiness. The crop below shows a 100% view of the top right corner. It is rarely possible to remove light pollution from an image of the Milky Way so we really need to image the Milky Way from a dark site with little or no light pollution and I was able to visit the Aoraki Mackenzie International Dark Sky Reserve in South Island, New Zealand, which is one of four ‘gold tier’ dark sky reserves in the world, to take the image that is described below. At low f/ratios many fast lenses often distort pinpoint light sources at the edges of the frame, creating stretched looking shapes called coma. Simply put, infinity is not at the infinity mark; on my copy it’s actually slightly past it. This lens works great for astrophotography with that big aperture. It’s just the right size and weight for handheld use of small mirrorless cameras. Right Click > Save Link As… for full resolution. Here are some of the photos from the last 30 days with the Rokinon 12mm f/2.0 NCS CS. It’s also notable as the fastest 12mm lens ever made for APS-C sensor cameras. The Rokinon 12mm is a crop sensor lens made for APS-C sensor cameras giving it an effective focal range of what would be 18mm on a full frame sensor. But at short focal distances, it’s possible to throw the background nicely out of focus, and bokeh quality is very nice wide open. The aperture range goes from f/2 to f/22. Right click the sample images below and choose “Save Link As… or Save Target As…” to save and view the full size images. The fact that it’s also sharper than the Zeiss wide open is just a bonus. The corner stars were then very good. The all new Rokinon 12mm f/2.0 NCS CS is unique because it’s a lens design dedicated to mirrorless cameras. The Rokinon 12mm f/2.0 with and without the included lens hood The lens is rather small for an ultra-wide-angle, especially so when considering the f/2.0 maximum aperture. Sharpness Test: Rokinon 12mm f/2.0 NCS CS versus Zeiss Touit 12mm f/2.8 Neither is a particularly big lens but it’s curious how much bigger the Zeiss is, even though it’s a full stop slower. This lens can, of course, also be used for landscape or skyscape images. I’m a wide angle junkie so most of the time I just left this lens on my camera the entire time. Rokinon 135mm f/2 ED UMC (also branded as Samyang outside the US - it's the same lens under a different name) is a manual focus telephoto lens, that was probably designed and manufactured for astrophotography purposely (the verdict spoilered in the first sentence of the review! This is very exciting for photographers with mirrorless systems that want to try their hand at astrophotography and want a great lens for the job. Rokinon 12mm f/2.0 NCS CS at f/2.0 – Anza Borrego Desert State Park, California. Stopping down to f/5.6 or f/6 gives excellent corner sharpness too. Right Click > Save Link As… for Full Resolution. how to pick a lens for milky way photography. The corrected image was cropped to give the result below. AF - Auto Focus MF - Digital Photo SERIES II Photo/Video Cine Cine DS Cine DSX SP - Special Performance View all lenses. It is a great value, makes great images, and has stood up to a decent amount of abuse. Its small size and small price tag make it that much more enjoyable. The Sony E-Mount Rokinon 12mm f/2.0 NCS CS Lens is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. The optical design is very complex using ED and aspherical elements. This is a real world review of the Samyang (Rokinon) 12mm f2 lens on the Sony a6000. It rotates with affirmative clicks at each half-stop from f/2.0 to f/22. Be sure to take good care of it, though, because heavily abused lenses can still be prone to optical degradation over time. However, inspecting individual frames I could not spot any either so the sensor was performing well. The Samyang/Rokinon 12mm f/2.0 lens for astrophotography This is one of ~60 illustrated articles to be found in the author’s Astronomy Digest . 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